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Nava Thakuria

Geneva (Switzerland): At least 12 Bangladeshi journalists were injured in an attack by extortionists and terrorists in Narsingdi locality of the south Asian nation on 26 January 2026 as the media professionals were returning to Dhaka by bus after attending a leisurely program of Crime Reporters Association of Bangladesh. According to Bangladesh Sangbad Sangstha, the Dhaka-based government sponsored news agency, reported that the wounded scribes were rushed to Narsingdi Sadar Hospital. The bus carrying the media persons was parked by the roadside when a group of local extortionists demanded money as tolls. As the journalists protested, an altercation ensued, after which the attackers assaulted them with locally made weapons, added the BSS report. The attackers even threatened to burn their accompanying wives and children.

The global media safety and rights body Press Emblem Campaign (PEC) condemned the attack and urged the interim government in Dhaka to bring the group of extortionists to justice. “It’s so unfortunate that the poll-bound Bangladesh remains in media headlines for a number of events revealing media atrocities in the last few weeks. In Narsingdi of Bangladesh, the journalists protested against an extortion bid by some unruly individuals and had to face the attacks, which is unacceptable by any means,” said Blaise Lempen, president of PEC (pressemblem.net).

PEC’s south Asia representative Nava Thakuria informed that the Bangla police have already arrested two accused continuing search operations for the rest of the gang. The Muslim majority nation of over 170 million people is preparing for its 13th national election on 12 February under the patronage of an interim regime led by Nobel laureate Dr Muhammad Yunus. Recently, the caretaker government chief assured the countrymen of a free, fair and festive polling with a truly democratic spirit. The country on 5 January reported the murder of journalist Rana Pratap Bairagi (45), who incidentally became the first journo-victim across the world this year.

बांग्लादेश: नरसिंगदी में पत्रकारों पर हमला, PEC ने अंतरिम सरकार से सख्त कार्रवाई की मांग

जिनेवा (स्विट्ज़रलैंड), 27 जनवरी 2026: बांग्लादेश के नरसिंगदी ज़िले में 26 जनवरी को रंगदारों और आतंकवादी तत्वों के एक समूह ने कम से कम 12 बांग्लादेशी पत्रकारों पर हमला कर उन्हें घायल कर दिया। ये सभी पत्रकार बांग्लादेश क्राइम रिपोर्टर्स एसोसिएशन के एक कार्यक्रम में भाग लेने के बाद बस से ढाका लौट रहे थे। सरकारी समाचार एजेंसी बांग्लादेश संवाद संस्था (Bangladesh Sangbad Sangstha—BSS) के अनुसार, घायल पत्रकारों को नरसिंगदी सदर अस्पताल में भर्ती कराया गया है।

रिपोर्ट के मुताबिक, पत्रकारों को ले जा रही बस सड़क किनारे खड़ी थी, तभी स्थानीय रंगदारों के एक समूह ने टोल के नाम पर अवैध वसूली की मांग की। पत्रकारों द्वारा विरोध किए जाने पर हमलावरों ने हथियारों से उन पर हमला कर दिया। BSS ने यह भी बताया कि हमलावरों ने पत्रकारों के साथ मौजूद उनकी पत्नियों और बच्चों को जान से मारने की धमकी दी।

इस हमले की कड़ी निंदा करते हुए वैश्विक मीडिया सुरक्षा और अधिकार संगठन प्रेस एम्बलम कैंपेन (Press Emblem Campaign-PEC) ने बांग्लादेश की अंतरिम सरकार से दोषियों को न्याय के कटघरे में लाने की मांग की है। PEC के अध्यक्ष ब्लेज़ लेम्पेन ने कहा, “यह अत्यंत दुर्भाग्यपूर्ण है कि चुनाव की तैयारी कर रहा बांग्लादेश बीते कुछ हफ्तों में मीडिया पर हमलों की कई घटनाओं के कारण अंतरराष्ट्रीय सुर्खियों में है। नरसिंगदी में पत्रकारों ने जबरन वसूली की कोशिश का विरोध किया और इसके जवाब में उन्हें हिंसा का सामना करना पड़ा, जो किसी भी सूरत में स्वीकार्य नहीं है।”

PEC के दक्षिण एशिया प्रतिनिधि नव ठाकुरीया ने बताया कि बांग्लादेश पुलिस ने अब तक दो आरोपियों को गिरफ्तार कर लिया है, जबकि शेष गिरोह की तलाश के लिए अभियान जारी है। 170 मिलियन से अधिक आबादी वाले मुस्लिम-बहुल देश बांग्लादेश में मुहम्मद यूनुस के नेतृत्व वाली अंतरिम सरकार की निगरानी में 12 फरवरी को 13वें राष्ट्रीय चुनाव कराए जाने हैं। हाल ही में, कार्यवाहक सरकार के प्रमुख और नोबेल पुरस्कार विजेता यूनुस ने देशवासियों को स्वतंत्र, निष्पक्ष और लोकतांत्रिक भावना से परिपूर्ण चुनाव कराने का आश्वासन दिया था। उल्लेखनीय है कि इसी महीने 5 जनवरी को बांग्लादेश में पत्रकार राणा प्रताप बैरागी (45) की हत्या की खबर सामने आई थी, जो संयोगवश इस वर्ष दुनिया भर में पत्रकारों के खिलाफ हिंसा का पहला दर्ज मामला बताया गया।

The Magic of Ramayana and the Controversy over ‘Three Hundred Ramayanas’ (1987–2011)

In 1987, when Ramanand Sagar’s Ramayana aired on Doordarshan, the entire country was immersed in a unique spiritual enchantment. Sunday mornings echoed with the name of Ram, streets fell silent, and shops shut down. This wasn’t just a TV serial; it was a cultural awakening that united Hindus from north to south, east to west, binding them in a single thread. Lord Ram dominated every home and every tongue.

Around the same time, A.K. Ramanujan’s essay “Three Hundred Ramayanas: Five Examples and Three Thoughts on Translation” (later part of his book Many Ramayanas) came into the spotlight. It presented the Ram story not as one unified narrative but as hundreds of diverse versions—drawing from South Indian, Thai, Cambodian, and other traditions, highlighting interpretations that differed from the core Valmiki Ramayana. The same groups that had pushed for a ban on Salman Rushdie’s book over verses from the Quran were actively promoting Ramanujan’s work and its ideas about multiple Ramayanas during those days.

While the message of Ram’s unity was spreading on one side, this essay played its role in sowing division without holding back. The tipping point came in 2011 when Delhi University’s history syllabus included it, inevitably provoking opposition from an aware Indian society. It is no exaggeration to say that this was no mere coincidence but a deliberate, well-planned attempt to weaken Hindu unity.

The Ram Janmabhoomi Movement and Mandal vs. Kamandal (1990)

As the 1990s arrived, the Ram Janmabhoomi movement reached its peak. Under the leadership of the Vishva Hindu Parishad and BJP, the demand for a Ram temple intensified. L.K. Advani’s Rath Yatra created a massive wave of ‘kamandal’ (the saffron pitcher symbolizing Hindu identity). People from every class and caste united in the temple movement—this was a golden era of unprecedented Hindu solidarity.

But in August 1990, the V.P. Singh government implemented the Mandal Commission recommendations, providing 27% reservation for OBCs. Massive protests erupted across the country, with upper-caste students even resorting to self-immolation. The phrase “Mandal vs. Kamandal” became the dividing line. Many historians do not see this as coincidence: just as Hindus were coming together, igniting caste-based reservation fires seemed like an attempt to fracture society—echoing the old British “divide and rule” policy.

Integration and Challenges in the Modi Era (2014 to Present)

Over the past decade, under Prime Minister Narendra Modi’s leadership, the country has moved toward “Ek Bharat, Shreshtha Bharat” (One India, Great India). Connectivity from the Northeast to the South, patient decision-making—these are all proofs of integration efforts.

During the 2021 farmers’ protests, when some raised flags at the Red Fort, many demanded immediate strict action, but the government showed restraint. Later events in Bangladesh and Nepal—disorder in the name of “people’s movements”—suggested a larger conspiracy might have been at play behind the scenes. The three farm laws, which many farmers today acknowledge were in their favor, were repealed under political pressure.

Current Controversy: UGC Equity Regulations Amid Hindu Unity Efforts (2026)

Right now, preparations for Hindu conferences are underway nationwide, and society is once again organizing itself. Precisely at this moment, in January 2026, the UGC notified the Promotion of Equity in Higher Education Institutions Regulations, 2026. These rules aim to prevent caste-based discrimination in higher education—mandating equity committees, grievance redressal mechanisms, Equal Opportunity Centres, and more.

However, many organizations and analysts accuse these regulations of being biased against the general category. There are no strong safeguards against false complaints, and the presumption often leans toward guilt for general-category individuals. This feels inspired by the spirit of the old Communal Violence Bill. Social media campaigns like #RollbackUGC are gaining traction, with claims that these rules could turn campuses into battlegrounds for caste wars.

Looking at the Chronology, the Pattern Is Clear

1987: The enchantment of Ramayana → Controversy over Three Hundred Ramayanas
1990: Ram movement at its height → Implementation of Mandal Commission
2026: Efforts toward Hindu unity → Controversy over UGC equity regulations

Every time Hindu society tries to unite under one thread, some issue is raised to attempt division—whether it’s emphasizing diversity in the Ramayana, caste-based reservations, or now new rules in the name of equality.
This does not seem like coincidence. Society now needs to awaken and identify the forces seeking to weaken unity. Prime Minister Modi has thwarted many conspiracies through patience and foresight. Hindu society must also remain united, vigilant, and counter these efforts.
Unity is our greatest strength—and no one can break it if we stay alert.

A New Chapter in Nationalist Literary Gatherings

Delhi : A fresh chapter has been added to the series of literary events organized under the umbrella of nationalist thought. Following Lokmanthan, Narmada Sahitya Manthan, and Shabdotasav, the Raipur Sahitya Utsav has now firmly established its presence on the ideological front. These festivals have evolved beyond mere literary gatherings-they have become pillars strengthening the nation’s cultural and ideological consciousness. Until recently, people often said that India needed something like the Jaipur Literature Festival or Jashn-e-Rekhta. That discussion now feels outdated. The platforms rooted in nationalist thought have grown so influential that even left-leaning writers and intellectuals are experiencing FOMO (Fear of Missing Out). Their visible anxiety about the Raipur event—“Why aren’t our people being included?”—speaks volumes. Once, this very group controlled the literary establishment, sidelining senior figures like Prof. Ramdarash Mishra and Nirmal Verma. Awards depended more on cliquism than creativity. Rajendra Yadav himself admitted to securing an award for a writer’s daughter’s wedding. Prizes were distributed like welfare schemes rather than on merit.

Changing Times and Shifting Alliances

Times are changing. Both literature and its readers are transforming. Old monopolies are crumbling, and new nationalist strongholds are rising. Many writers are ready to abandon the sinking leftist boat and board the ship of nationalist thought. The success of Shabdotasav hadn’t even settled when Raipur Sahitya Utsav stole the spotlight. Now, the fifth edition of Narmada Sahitya Manthan is set to arrive in Indore from January 30 to February 1, 2026. These festivals are proof of the continuity and expansion of nationalist thought.

Raipur Sahitya Utsav 2026: Celebrating Chhattisgarh’s Silver Jubilee and Amrit Kaal

The Raipur Sahitya Utsav 2026 took place from January 23 to 25 at Purkhauti Muktangan in Nava Raipur, Chhattisgarh’s capital. Themed “From the Beginning to the Timeless” (आदि से अनादि तक), this three-day event was organized to mark Chhattisgarh’s silver jubilee year and the Amrit Kaal of the Republic. Under Chief Minister Vishnu Dev Sai’s leadership, the state government initiative successfully elevated Chhattisgarh’s literary heritage to national prominence. More than 120 renowned litterateurs participated, engaging in deep discussions across 42 sessions on contemporary social, cultural, and political issues.

Inauguration: Honoring Chhattisgarh’s Literary Legacy

The festival opened on January 23 at the Vinod Kumar Shukla Mandap. Rajya Sabha Deputy Chairman Harivansh and Chief Minister Vishnu Dev Sai lit the ceremonial lamp as chief guests. Deputy Chief Minister Arun Sao, Dr. Kumud Sharma (Vice-Chancellor, Mahatma Gandhi International Hindi University, Wardha), actor Manoj Joshi, and other dignitaries were present. Paying tribute to the late great Chhattisgarhi writer Vinod Kumar Shukla, Harivansh highlighted the ancient tradition of Chhattisgarhi literature. He referenced Kabir’s connections to Kashi and Kawardha, and quoted Maithili Sharan Gupt to underscore literature’s role in guiding society. “A single book and a single writer possess the power to change the world,” he said, emphasizing literature’s contribution to India’s economic progress, self-reliance, and the vision of a developed India by 2047.

Chief Minister Vishnu Dev Sai described Chhattisgarh as Lord Shri Ram’s maternal homeland, declaring that this sacred land had transformed into a grand literary Kumbh. Comparing the freedom struggle to the churning of the ocean, he stressed the responsibility to preserve the memories of luminaries like Makhanlal Chaturvedi, Madhavrao Sapre, Pandit Lochan Prasad Pandey, Padumlal Punnalal Bakshi, and Gajanan Madhav Muktibodh. Quoting Atal Bihari Vajpayee’s poetry, he noted that poetry teaches resistance against injustice. Deputy Chief Minister Arun Sao called it a major step in strengthening Chhattisgarh’s literary identity.

Book Releases and Diverse Sessions

During the inauguration, J. Nandkumar’s coffee table book (on 25 years of Chhattisgarh), Prof. Anshu Joshi’s Lal Deewaren, Safed Jhooth, and Rajiv Ranjan Prasad’s Tera Raj Nahi Aayega Re were launched.
The festival featured 42 sessions—including 5 parallel, 4 group, and 3 dialogue formats. The final day covered topics like journalism and literature, travel blogging, Natyashastra, society and cinema, the Constitution and Indian values, and the interplay between governance and literature. A staging of the play Chanakya, folk dances, folk songs, Chhattisgarhi cultural performances, and a poets’ meet enchanted audiences. At Surendra Dubey Mandap, a grand painting exhibition showcased Chhattisgarh’s cultural heritage—featuring works like Chhattisgarh Mahtari (Sonal Sharma), Bastar Bazar (Awadh Kanwar), Rajim Kumbh (Divya Chandra), and scenes from Ramgarh hills as major attractions. Painting and cartoon workshops guided young participants.

A True Celebration of Roots and Traditions

Rather than Indo-Chinese stalls, the food focused on traditional Chhattisgarhi dishes like kodo rice, chapda chutney, farra, jimikand pickle, and khatti kadhi. Traditional sarees, tribal jewelry such as hasuli and bajuband, brought local customs to life. The confluence of four generations, litterateurs from north, south, northeast, and west, along with local artists’ performances, made it a genuine people’s festival.

Closing Ceremony: Words That Endure

At the valedictory, Governor Ramen Deka affirmed that literature’s importance remains undiminished even in the digital age. Citing Vande Mataram, he stressed the power of words and appealed to extend such festivals to villages and small towns. Finance Minister O.P. Choudhary and theatre personality Sachchidanand Joshi praised the event. Director Chandraprakash Dwivedi lauded the time discipline and attention to detail, suggesting similar events in places like Bastar.

Why Raipur Outshone Others

In many ways, Raipur Sahitya Utsav proved more impactful than Jaipur Literature Festival. First, it was fully centered on nationalist thought, prioritizing ideological clarity and cultural pride—unlike Jaipur, which often dilutes focus in a mix of diverse views. Second, its vibrant inclusion of local folk traditions, tribal culture, and Chhattisgarhi cuisine kept it deeply rooted—while Jaipur leans toward global-urban flavors. Third, it offered genuine public participation and a platform for young creators, which is rarer elsewhere.

Government’s Commitment to Culture

Over the past two years, the Sai government has treated literature and culture as a social responsibility. By emphasizing public involvement, local languages, and youth, the festival succeeded remarkably. The core organizing team—Chief Minister’s media advisor Pankaj Jha, R. Krishna Das, and Shashank Sharma—made it truly memorable.

More Than an Event-A Celebration of Chhattisgarh’s Soul

Raipur Sahitya Utsav 2026 was not just an event; it was a festival of Chhattisgarh’s soul. It will secure the state’s place on India’s literary map and inspire future generations. This stream of nationalist thought is now unstoppable.